After that, Kawanishi-san has a dream about a woman who he asks to become his kindness. There was another problem, too: kindness is in the title. To be honest, I couldn't think of any American painkiller ads at all. But I couldn't think of any American painkiller ads that really had any cultural relevance. The dentist appreciates his attempt at humor, and laughs. That kind of pop culture pun must have come to him completely naturally. He works at a company that publishes magazines about television, and they always have a bunch of TVs turned on. Kawanishi-san is supposed to be smart and funny, and here he is, making a joke. It's a single line, but it matters so much. It had a very famous ad campaign in Japan with the slogan: Bufferin is made half from kindness. Kawanishi-san replies, “Are they made half from kindness?”īufferin is a low-grade pain-killer much like aspirin. Or she can give him stronger pain-killers. After Kawanishi-san gets his second tooth extracted, the dentist says that if his teeth hurt later, he can take Bufferin. He spends a good amount of time sitting at his cute dentist's office, recollecting his relationship with Ito-san. It's almost Christmas, he has a few cavities, and he is in the process of breaking up with his boyfriend. “Cavities and Kindness” is the story of Kawanishi-san. It bothered me, and I didn't know what to do. But there was one tiny scene that really stuck out. Some sloppiness about tenses here and there. When I started editing there were, of course, tons of problems, but most of them weren't so serious. I don't remember the initial translation process, but I feel like it went relatively smoothly. I remembered that I had “Cavities and Kindness” in a folder somewhere on my computer, and I thought to myself, “Wow, I should finish that.” I finished a first draft of the story and then didn't look at it again until March of the following year, when I got an email from Michael Emmerich saying that Words Without Borders was looking for a Japanese piece to include in their queer issue. This was in October of 2013, almost ten years after Don't Laugh at Other People's Sex debuted. I just thought it was a really great story and that it would be nice to work on something short that I could finish and show to people. The next day I started translating “Cavities and Kindness” without even thinking about what I would do with it. I bought the book, took it home, stayed up later than I should have that night, and finished the whole thing. Takahashi says that “it is the name of a woman who lives in an advanced capitalist society” and that “it signifies her will to live on gallantly in this world.” You see Yamazaki, then Naoko, but then the name just keeps going. In Japanese, the cola part comes like the punch line to a joke. There's the name Naoko, which is also quite common. The hyphen is a way to let the English reader know that two things are being forced together. In Japanese, the family name comes first, so it's Yamazaki Nao-Cola. Translators talk a lot about things that are untranslatable, and the visual effect of seeing this name in Japanese is completely lost in English. He wonders, “So, what kind of name is 'Nao-Cola,' or 'Naoko + Cola?' Why would she pick such a strange name?” In his afterword to the book, author and critic Genichiro Takahashi actually says he knew this book would win the Bungei Prize based on the title and the author's name alone. The unrelated short story, “ Cavities and Kindness” is appended to the end. The title piece is narrated by a nineteen-year-old art school student, Mirume Isogai, who recounts his relationship with Yuri, his teacher, who is twenty years his senior. The book's title is also really good: Don't Laugh at Other People's Sex. But I don't know if I could have connected my friend's story about an impressive book by a young female author who won the prestigious Bungei Prize, for new authors, with the physical book staring me in the face in some bookstore, if not for that name. I had heard about the book from a friend, and I knew it won an award, and then I happened upon it in a bookstore. I first picked up Don't Laugh at Other People's Sex because of the author’s cool name.
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Instead, you should move it to the tax-free pension mode. This budget planner will assist you in organizing your finances. Our top budget-planner tips: Be as accurate as you can. 120 Pack Budget Planner Sheets for Cash Envelopes and A6 Binder, Expense Money Tracker (6.5 x 3.12 in). There is no reason why you should be keeping money in the accumulation phase, where your funds are paying tax at 15 per cent from the first dollar earned. Planners Report Cards Letters Lesson Plans. Budgeting Report Presentation Presentation by. Invite your partner, roommate, or anyone else to your budget and sync transactions between each other. Pink and Emerald Modern Corporate Monthly Budgeting Planner. Quickly add your transactions to see how much youre spending and where your money going. See our six tips before starting your budget. Lay the groundwork by compiling these financial records, as well as info on credit card debt, pension contributions and one-off spends. Should I move my superannuation to pension mode or just take out lump sum withdrawals as I need them? I am in a quandary as to what to do and can’t find any information on the benefits of one over the other. Stop overspending and get to know exactly how much you have left to spend by planning ahead using budgets. Gather bank statements, household bills and receipts. subscribe to T-Money News for weekly money saving tips, updates, freebies and. I currently have just over $600,000 in super and own my home. BUDGETING SESSION eBooks Budget Planners Habit. I have been living on a part age pension, which has just been reduced in the March handouts. Don’t forget the tax rates change after June 30. If you do the sums, I think you will find that you can keep a hefty chunk of money in your own name and pay no tax thanks to a wide range of offsets. It doesn’t matter whether the fund is in accumulation mode, or pension mode, or what type of superannuation fund it is – if your total superannuation balance exceeds $1.9 million, you cannot make any further non-concessional contributions. Would I still be better off after paying the 15 per cent tax in there than earnings from a bank term deposit? Can I still make non-concessional contributions to my accumulation account in my industry fund? I’m told there are no limits on accumulation accounts. I am 70 and have reached my super cap due to a combination of the notional value of my defined benefit pension and my super fund, which is in pension mode. But the more they have conscious memory, the more secure they will be when playing under pressure and the better they’ll be at the piece in general. Honestly, most professional classical musicians do not memorize on this level of detail, but they probably have it visualized on a certain level. Without playing it, they can walk through the piece and know what finger is doing what and what note is being played. But a person who thoroughly knows the music consciously can see the music and fingers in their head in all it’s details. So a thoroughly trained musician will have a stronger conscious memory than a lesser trained amateur, even if the former does not make an intentional effort at conscious memorization. It also depends in part on how well one knows their instrument, whether or not they know music theory, and how aware they are of what is happening musically in the piece. We’ve already talked about how you know if your muscles remember a piece, but how do you know whether or not you have it in your conscious memory? People have varying degrees of aptitude towards this kind of memory. Conscious memory is stored in the temporal lobe, muscle memory in the cerebellum. Playing from memory must be a combination of both muscle memorization and conscious memorization, two very different sections of the brain. Many mistakenly accept this as having something memorized. When you can play a piece of music, and your mind can wander while your fingers know exactly where to go just like a driverless car, you’re seeing muscle memory in full action. When a movement is repeated enough times, the muscle memory kicks in and takes over. Muscle memory is that part of the brain that records movements. But playing music from memory relying mostly on muscle memory is risky business as muscle memory is great at home, but gets shaky under pressure. One’s ability to play an instrument (or do practically anything physically) absolutely depends on muscle memory. It is the complete reliance on muscle memory. Children are especially vulnerable to it, but it can happen to accomplished adult players if they’re not careful. This is the trap that many have fallen into. After a few failed attempts, you choose either to skip the entire section, or, more probably, you go back to the beginning of the section, or worse, back to the beginning of the whole piece, desperately hoping that when you arrive at that passage again your fingers will be able to remember it. It may have been precipitated by a mistake, or perhaps not, but you now find yourself stuck and unable to remember a passage that you’ve played a thousand times and never had any trouble with remembering in the past. Suddenly in the middle of your performance you draw a blank. You’ve played it from memory so many times you could play it in your sleep. It may have been as an adult or as a child, but you’re performing something that you’ve practiced a ton. How many classical guitarists and musicians out there can relate to this experience. Say Goodbye to Memory Slips: How to Memorize Music This is the original thread (the description is longer). Do you make an effort to find them or what happened to them, or do you go on with your life, salvaging, exploring, and listening to your own breathing as you make your way through the still graveyard of humanity? You only have a faint idea where their bunker is and you know you wouldn't have enough air to get there in one stretch. One day, they stop signing in/going on the air and you decide to find out what happened to them. They're your only company in an otherwise dead world, and they're holed up somewhere else, exactly like you. You've known them for years, but have never met them in person. Your only contact with other people would be someone who you talk to frequently over what's left of the internet or some old radio-type thing. The lack of air preserved the billions of bodies worldwide relatively longer than they otherwise would have been, and now the empty planet is a mausoleum of dried up human husks littering streets and buildings. You move around empty schoolyards, apartment buildings, and skyscrapers. If you forget it, you might end up fucked unless you can somehow find air. You have entire cities open to exploration and treasure hunting. Their reward was solitude on a lifeless, airless planet. Those who survived were the people who had planned ahead, who had planned for the impossible. People simply fell where they stood or sat at the time. No one could have imagined a quieter apocalypse. The world outside was brought to a complete standstill when the air started dissipating. When the game starts, you're alone in a bunker. World generating games that do not feature characters with copyrights can go here (ex: Dwarf Fortress style game). For example, a fighting game in which Alucard fights Turok would not go here because both characters belong to existing copyright holders. This category is for games that do not feature characters from copyrighted sources. Are you awesome enough to make these games and actually release them? If so, please, go for it! Don't make us beg. These games are almost too awesome to exist. Give /v/ something in return for the the inevitable mountain of cash you'll gain for taking on one of these by actually releasing them instead of just giving up on them. Game developers looking for new ideas out there: this page is your fucking gold mine. These are the most loved concepts, the brotips about existing games that can be built into the gods of games. They're the games /v/ always get hyped about, dreaming them to be real. It typically costs $300-$800 or more for an aluminum folding ladder that separates into two pieces to support an aluminum platform/plank.For example, the Werner Portable Work Platform holds 225 pounds and costs $35-$45, while at Amazon, the Vika 2-in-1 Workbench and Scaffold Model 21010 holds up to 500 pounds, includes a 3-outlet power strip and costs $150. If just a little more height is needed, a workbench that converts into a low scaffold can cost $35-$350 or more depending on size and capacity.Adams Rentals in New Jersey charges $115-$135 a week for a 10'-15' rolling tower kit. Rent All of Glynn in Georgia charges $15 weekly or $22 monthly for a 5' high, 5' wide and 7' long scaffolding section $6.50 weekly or $9.50 monthly for a 7' aluminum walk-board and $5 weekly or $7.50 monthly for each 8" caster/wheel. For example, Best Rental in Colorado charges $18 a day or $52 a week for a 6' high and 6' long wheeled scaffolding section (known as bakers scaffolding) that adjusts from 28"-70" high, with stabilizers at $2 daily or $7 weekly and guard rails at $3 daily or $8 weekly. Rates may be daily, weekly or monthly and by the piece (separate charges for each frame section, each wheel and each guard rail) or as a complete kit. Renting scaffolding can cost $15-$50 a day or $40-$150 or more a week, depending on location and the size and type of scaffolding.Scaffolding can vary from a plank secured between two ladders to an erector-set-like metal and wood structure, usually with steel or aluminum tubes. Contact us at Southwest Scaffolding and the knowledgeable staff will help you maximize the efficiency of your job site by helping to determine the solution to best suit your needs.2023 Cost of Scaffolding - Estimates and Prices Paid - CostHelperĬostHelper > Home and Garden > Construction & Renovation > ScaffoldingĪ scaffold is a platform that raises a worker or workers plus needed equipment to higher levels. With 20 plus years in the masonry business, Southwest Scaffolding has the knowledge, experience and inventory to meet your scaffolding and masonry needs. SWS can also provide additional services such as transport and delivery, design and layout as well as OSHA compliance training. The variety of conventional scaffolding and masonry equipment and accessories allow customized solutions for your specific job site requirements. In addition, Southwest Scaffolding sells masonry equipment such as mixers and saws. We also sell conventional scaffolding accessories and planks. Southwest scaffolding’s inventory includes walk thru, ladder and half high frames. Southwest Scaffolding sells both new and used scaffolding in both the conventional scaffolding and Non-Stop Scaffolding. Non-Stop scaffolding will save you in set up time and increase productivity, resulting in much lower labor costs. The benefit to Non-Stop is that the work platform only has to be constructed once and as the masons progress up the wall, the scaffolding can be adjusted so that the masons are in optimal position to be productive. Non-Stop consists of a single work platform that climbs along vertical towers. Non-Stop Scaffolding is also called crank up or elevated platform scaffolding and can be built to almost any length and height. Non-Stop Scaffolding Masonry Scaffolding by Design In addition to frame scaffolding, we carry Non-Stop Scaffolding, which is a masonry specific scaffolding. Click here to see a copy of our scaffolding load capacity test. On average, they have a capacity of more than 39,000 lbs. We recently tested our 610-B frames stacked three sets high and place them under a load test at Texas A & M. We have made sure our scaffolding is up to the task. It must be able to hold up all the crews, equipment, brick, block, stone and mortar. We make sure our frames will carry the load and withstand the stress of a masonry job. Masonry applications require frames that have a high load capacity and considered heavy-duty. Our masonry scaffolding inventory consists of our SWS-610B 5′ X 6’4″ walk thru Safeway-style frames, SWS-620B walk-thru and ladder combo frames, SWS-634A 5’X6’7″ Waco-style scaffold frames and more. Because of this, the frames need to be tall and wide, and they need to be open in the middle so crews can walk through them. Masonry scaffolding needs to be suitable to build long working platforms to go across a wall that are wide enough to hold cubes of brick and block and allow crews to pass each other and carry a wheelbarrow across the platform. Southwest Scaffolding carries an extensive inventory of new and used masonry scaffolding for sale. If no engine is used, the argument is taken as a file. If this option is not specified then the input file ( -in argument) must contain a private key. If additional certificates are present they will also be included in the PKCS#12 output file. The order of credentials in a file doesn't matter but one private key and its corresponding certificate should be present. With the -export option this is a file with certificates and a key, or a URI that refers to a key accessed via an engine. This specifies the input filename or URI. This specifies filename to write the PKCS#12 file to. This option specifies that a PKCS#12 file will be created rather than parsed. This option is deprecated since OpenSSL 3.0 use -noenc instead. Use IDEA to encrypt private keys before outputting. Use triple DES to encrypt private keys before outputting. Use DES to encrypt private keys before outputting. Use Camellia to encrypt private keys before outputting. Use ARIA to encrypt private keys before outputting. Use AES to encrypt private keys before outputting. Only output CA certificates (not client certificates). Only output client certificates (not CA certificates). nomacverĭon't attempt to verify the integrity MAC. Output additional information about the PKCS#12 file structure, algorithms used and iteration counts. The filename to write certificates and private keys to, standard output by default. For use with the -export option see the "PKCS#12 output (export) options" section. Without the -export option this must be PKCS#12 file to be parsed. PKCS#12 input (parsing) options -in filename| uri See "Random State Options" in openssl(1) for details. See "Provider Options" in openssl(1), provider(7), and property(7). provider name -provider-path path -propquery propq If the legacy option is not specified, then the legacy provider is not loaded and the default encryption algorithm for both certificates and private keys is AES_256_CBC with PBKDF2 for key derivation. The default algorithm for private key encryption is 3DES_CBC. In the legacy mode, the default algorithm for certificate encryption is RC2_CBC or 3DES_CBC depending on whether the RC2 cipher is enabled in the build. providers or to set the environment variable OPENSSL_MODULES to point to the directory where the providers can be found. If OpenSSL is not installed system-wide, it is necessary to also use, for example, -provider-path. Use legacy mode of operation and automatically load the legacy provider. This option inhibits all credentials output, and so the input is just verified. Cannot be used in combination with the options -password, -passin if importing from PKCS#12, or -passout if exporting. Prompt for separate integrity and encryption passwords: most software always assumes these are the same so this option will render such PKCS#12 files unreadable. With -export, -password is equivalent to -passout, otherwise it is equivalent to -passin. For more information about the format of arg see openssl-passphrase-options(1). The password source for the input, and for encrypting any private keys that are output. When encountering problems loading legacy PKCS#12 files that involve, for example, RC2-40-CBC, try using the -legacy option and, if needed, the -provider-path option. The default encryption algorithm is AES-256-CBC with PBKDF2 for key derivation. Conversely, the options regarding encryption of private keys when outputting PKCS#12 input are relevant only when the -export option is not given. The PKCS#12 export encryption and MAC options such as -certpbe and -iter and many further options such as -chain are relevant only with -export. A PKCS#12 file can be created by using the -export option (see below). There are a lot of options the meaning of some depends of whether a PKCS#12 file is being created or parsed. PKCS#12 files are used by several programs including Netscape, MSIE and MS Outlook. This command allows PKCS#12 files (sometimes referred to as PFX files) to be created and parsed. Openssl-pkcs12 - PKCS#12 file command SYNOPSIS Whether utilizing the Data Analysis ToolPak or Excel’s built-in functions, understanding the output and interpreting coefficients are key aspects of a successful multiple regression analysis. This helps assess the model’s accuracy.īy employing these methods, users can conduct multiple regression analyses in Excel, providing valuable insights into the relationships between variables within their datasets.
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It is hardly surprising that the phrase “in queue”, as the correct expression, is used the most. The data reported by the Google Ngram Viewer indicate that the expression “on queue” was virtually unheard of prior to 1950. Just as we were speaking about him, he arrived right on cue! Which Is Used The Most?.The security guards were summoned to enforce order on the queue of passengers waiting to board the ship.She looked out of the hotel window and her eyes fell on the long queue of people waiting to hear her sing that afternoon.The worst possible outcome would be for the roof to fall on a queue of visitors.The first batch of 500 copies is on queue to be printed later this evening.Even as a heavy snowfall fell on the queue, everyone was so determined to get their new passport, and so nobody moved.The pot of paint fell off the ladder and landed on the queue of customers outside the pharmacy.Here are some examples of how to use “on the queue” and “on cue” in a sentence: A “cue” is an appointed time or stage prompt to an actor to appear on stage. Incorrect use of “on queue” could have arisen from confusion with the expression “on cue”. This is still more properly referred to as “in the queue”. The use of “on queue” can sometimes be used to refer to something that is held up in a line, waiting to be actioned or delivered, for example an item in a print queue. For instance, “the sun shone on the queue”, meaning “the sun shone on the people in the queue”: In certain circumstances, when we are referring to the “queue” itself, as opposed to a member of the queue”, it can be correct to describe something above as being “on the queue”. She is standing in a queue of more than fifty angry customers, waiting to find out what has happened to her order. Why is it that the other queue always seems to be moving faster until you swap queues?.The flight attendants began checking our boarding passes as we were standing in the queue to board the flight.He called to say that he will be late for the meeting he is stuck in a queue of traffic near King’s Cross Station.I met my sister’s friend in the queue for the opening of the January sales.I wanted to buy a ticket for the concert but there were too many people already waiting in the queue.Here’s how to use “in the queue” and “in a queue” in a sentence: “On the queue” and “in the queue are not interchangeable” “On queue” may appear as a misspelling of the expression “on cue”, which refers to an actor’s prompt in a stage play. The phrase “in the queue” to describe people waiting for a service is rarely used in the United States the preferred expression is “standing in line”. Rarely, “on the queue” could be used to describe something over the queue as a unit. It can also be “in a queue”, but “on the queue” is not correct to describe people standing in a line. In British English, the expression “in the queue” is always correct. Both phrases “in queue” and “on queue” are in use, but do they convey the same meaning? Are they both correct, and, if so, when do we use them and why? In Queue or On Queue – Which Preposition Is Correct? Her legs were lightly adorned with a blue lightning bolt design. The leotard also had an opening in the upper back portion to reveal her upper back, just below her shoulder blades. Street Fighter, Street Fighter Alpha 2 Gold, and every subsequent game in which she appeared in her "Killer Bee" or "Shadaloo" persona, Cammy wore her light blue thong leotard that had a small yellow tie attached to the front of her turtleneck, a small blue garrison cap, knee-high brown boots, and red gauntlets similar to her classic incarnation. Both guns are depicted as comically larger in size compared to their real counterparts. In her right hand, she holds a standard Uzi sub-machine gun, and in her left, a Skorpion vz. In Cannon Spike, Cammy wears an outfit similar to her SSFII incarnation, except she has knee pads and inline skates, as well as two sub-machine guns. This classic incarnation is known as "Delta Red Cammy." One of the earlier drafts of Cammy's character design has her wearing harnesses and a gun holster, details which were eventually incorporated into her Street Fighter V default design. Her legs were decorated with marks of green camouflage paint. In Super Street Fighter II and Super Street Fighter II Turbo, Cammy wears her signature outfit: a turtleneck, sleeveless, green thong leotard that consists of a Delta Red triangle insignia on either the right or left breast (some promo art has it on the right while other instances, including her endings in SSFII, have it on the left), a red beret, red socks and black calf-high combat boots, and red gauntlets. She has a muscular body with a very fit physique and is of slightly below average height Cammy's choice of clothing attire is a leotard as it gives her higher speed, mobility, and flexibility. Appearance Ĭammy has light-blue eyes and long blonde hair that she styles into two braided pigtails, a large forelock, and a scar on her left cheek. Her arm protectors are based on the ones used in Masamune Shirow’s Appleseed. He modelled Cammy after the pigtail assassin Misty who appears in Wounded Man. When creating Cammy, Akiman wanted her to contrast Chun-Li. Misty from Wounded Man (left) and the arm protectors used in Appleseed (right). 8.4.4 Street Fighter Masters: Cammy by UDON.8.4.3 Street Fighter Legends: Cammy by UDON.8.4.1 Super Street Fighter Vol 2: Hyper Fighting - Delta Blue.
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